http://... Krauss WebsiteFor Alison Krauss, musical collaboration has been a way of life. Her own story, of course, has been nothing short of amazing: signed to Rounder Records as a precocious, 14 year-old fiddler from Champaign, Illinois, she has, over two decades, become the most recognized face in contemporary bluegrass and a critically acclaimed artist who has brought modern sophistication to the genre while respecting its traditions. Krauss has consistently worked to honor her influences, like contemporary bluegrass pioneer Tony Rice, to promote discoveries like the Cox Family and Nickel Creek and to offer herskills as producer for those artists and others, most recently, country star Alan Jackson.
With her twelfth release, A Hundred Miles or More: A Collection, Krauss gathers on one elegantly understated disc several previously released collaborations with such artists and friends as Brad Paisley, JohnWaite, James Taylor, Natalie MacMaster and The Chieftains, along with songs she cut for the films Cold Mountain, O Brother, Where Art Thou? and an inspired by album for the animated The Prince Of Egypt. Already making its way to radio is the remake of Waites Missing You, which the Seattle Post-Intelligencer has called a killer duet with an incandescent Krauss. She also recorded and produced five new tracks, including a soulful slow-dance tempo of Don Williams Lay Down Beside Me with Rounder Records label-mate Waite, to create something far more than just a compilation. With 16 songs, A Hundred Miles or More gracefully balances the new with the familiar to form a vivid portrait of this adventurous artist, chronicling the places shes been and showcasing the hauntingly beautiful solo work Krauss is making right now.
While Union Station took a hiatus from touring for most of 2006, Krauss took full advantage of the down time to explore new musical horizons. Her production of Alan Jacksons 2006 release, Like Red on a Rose, which the Chicago Sun-Times declared a masterpiece, took the best-selling artist out of his familiar surroundings to create a moody, intimate song cycle that has been favorably compared to Frank Sinatras In the Wee Small Hours. The New York Times described it as a deeply country record that sounds nothing like a country record. Following the project with Jackson, she recorded the five new tracks for the collection release and worked with long time engineer GaryPaczosa to remix several of the other tracks. As other musical opportunities arose, she relished the opportunity to work, guesting as harmony vocalist or fiddler on several outside projects. Last December, she traveled to Washington, DC to salute Dolly Parton no slouch herself in the bluegrass department at the Kennedy Center Honors, performing Partons classics Jolene and My Tennessee Mountain Home with her friends Suzanne Cox (of the Cox Family) and Cheryl White (of the vocal trio The Whites).
Krauss reached that extraordinary 20 Grammy® milestone when her last album with Union Station,Lonely Runs Both Ways, was named 2005s Best Country Album. It wasnt the only award she and her band-mates took home from the 48th Annual Grammys®: Unionhouse Branch garnered Best Country Instrumental Performance and Restless received the Best Country Performance by a Duo/Group Award. Shes also beenon the receiving end of several Country Music Association Awards, including Musical Event of the Year for Whiskey Lullaby with Brad Paisley, originally released on Paisleys Mud on the Hill and reprised on A Hundred Miles or More. The International Bluegrass Music Association Awards have honored heron several occasions, most recently for Livin, Lovin, Losin Songs of the Louvin Brothers, which features her duet with James Taylor, Hows the World Treating You, also included on the new album. The two tracks she cut for the Cold Mountain soundtrack, The Scarlet Tide and You Will Be My Ain True Love (with Sting on harmony vocals) were nominated for Oscars in 2004.
More impressive, however, than any of these accolades has been Krausss unwavering commitment to being an independent-label artist who has succeeded far beyond the scope of many major-label artists. Shes been able to circulate freely within pop, mainstream country and roots music circles, creating impeccably produced records that appeal to an equally wide-ranging and inquisitive audience. Krauss has continued doing things the old-fashioned way: following her heart and whatever path the music takes her.
Alison's voice motivated our singer to sing. Finally have an original online now. Check it out, would love some feedback. Ozi Aussie.
BlueEyezForever(November 22, 2008 at 5:22 pm)
keith whitley was the one who wrote this song allison krausse re did it
Xx16Eternalsnow16xX(November 22, 2008 at 12:03 pm)
i like this song I'm trying to figure out weather Rohan Kestling if thas him who oringally sung it i think. But Now I herd a females verison its more i can relate,
KelsiesKarma(November 22, 2008 at 6:45 am)
i sang this song at my cousins graduation party when i was in second grade :) i love this song more :)
kittyfan67(November 22, 2008 at 3:14 am)
I absolutely adore Keith Whitley and cannot imagine ANYONE other that Alison covering this touching song. I'm sure that Keith is looking down upon her with his blessings. Thank you, Alison, for helping keep Keith's legacy alive!
CashGiftingUKcom(November 21, 2008 at 10:00 pm)
If only i knew enough people - our worlds would never be the same again. I love you all. x
wildgrl90(November 21, 2008 at 10:00 pm)
this song is mine and my babys song this is a really good song thanks for posting it......... : )
blockbluezz(November 21, 2008 at 9:34 pm)
LOVE IT!!
amaandaolofsson(November 21, 2008 at 8:29 pm)
beautiful! i love it.
MarinesGirl44(November 21, 2008 at 5:06 pm)
lol this made me laughThis is a great song and Alison Krauss has such a beautiful voice.
urwayhome(November 21, 2008 at 5:17 am)
Most times it's good that we guys say nothing at all. :-)
